Recording
Writing, tracking and building new music from a working home studio.

MOBILE HOME BOY • 2026
I'M HERE. LET'S PLAY.
I'm Mobile Home Boy. I've spent decades making loud music, playing stages, building records and putting guitars where guitars probably weren't supposed to be. Metal, country, hip-hop, electronic — I never cared much about the label. If it needed something loud, strange or unmistakably mine, I plugged in.
This is what I'm doing now — and some of the wreckage that got me here.

LIVE • TOURING • AVAILABLE
Guitar in hand. Crowd in front of me. Available for the right live and touring project.
WHY WE MAKE MUSIC
The gear matters. The music matters. But none of it means a damn thing without the people who listen, show up, and keep the music alive.
The industry doesn't make music matter. The fans do.
STILL GIVE A FUCK ABOUT THE MUSIC.
ZERO FUCKS LEFT FOR THE BULLSHIT.
I spent years giving my time and energy to IT and corporations. I know the difference between making a living and selling out. These days, I make music because I want to. If you connect with it, that means everything. If the industry doesn’t approve, I don’t give a fuck.
A clip from Billy that gets to the heart of it. Watch from 0:22.
🎸 NEW FEATURE SERIES • EPISODE 01 COMING SOON
SAME GUITAR. SAME AMP. DIFFERENT CABINET.
Does a speaker cabinet really change your tone? We're putting real guitar cabinets head-to-head, starting with the Crate 4×12. Same riff, controlled settings, real-world sound. You decide which box wins.
Cabinet Wars is coming soon. Check back for the first episode.
RIGHT NOW
Writing, tracking and building new music from a working home studio.
Guitar-driven rap/rock roots with a current rig built for recording and live work.
Available as a touring musician and live guitarist for the right artist or project.
Studio guitar, collaboration, arrangement ideas and project work.
SKILLS / AVAILABLE FOR HIRE
Lead guitar • Rhythm guitar • Guitar solos • Guitar instruction • Rock • Rap/Rock crossover • Country • Touring/live performance • Session/studio work • Songwriting • Arrangement • Recording and production.
Professional touring experience includes two years as lead guitarist with Mike Pope and the Pistols (1995–96), with Jeff Lamb on bass and production by Danny Woods of Chairmen of the Board. The surviving archive also documents dedicated guitar work, live-show projects and multitrack production sessions spanning rock, hip-hop, dance and country.
PROJECTS / PEOPLE / SESSIONS
From touring lead guitar to digital production, remixes and cross-genre sessions, these are the people and projects that helped shape the Mobile Home Boy story.
The surviving archive includes original multitrack projects, finished mixes, photos and session material. Some stories here are firsthand artist recollections; surviving project files are being restored and published as the archive is recovered.
MUSICIAN • LESSONS • STUDIO
Touring, sessions and studio time — let's talk. Guitar lessons are coming soon; bookings are not open yet.
One-on-one guitar instruction. Bookings are not open yet.
Studio time without an engineer.
Studio time with an engineer.
MUSIC
ORIGINAL MOBILE HOME BOY RECORDING • #1 AT WRVU, NASHVILLE
The most popular Mobile Home Boy track by far. “Where's the Party” was the defining song — and it's one piece of a much bigger story that's still being written.
COUNTRY • ORIGINAL RECORDING
A raw 2004 one-man recording — guitar, bass, drums and vocals performed by James. The original Mobile Home Boy master and ACID production project survived in the archive.

CURRENT RIG / STUDIO / ROAD
A complete working guitar, recording and road system — from guitars and four half-stacks to a conditioned, cooled rack and a full home recording environment.




Leo Jaymz Tsunami, Ibanez RG370 and Jackson JS Series Dinky Arch Top JS22-7 DKA HT 7-string in Black — covering Floyd Rose work, six-string rhythm and lead, and extended-range material.
Four Crate GX1200 heads paired with four GX1200 4×12 speaker cabinets — a full wall of road-ready guitar amplification.
Mooer GE150 guitar processing backed by a travel-ready rack with rack power distribution and conditioning, EQ, active four-fan rack cooling with variable-speed control, plus supporting signal and power hardware.
High-performance Windows production workstation with NVIDIA GeForce RTX 5060 graphics, 32 GB DDR5-6000 memory, 2.5 GbE networking and REAPER for multitrack recording, editing, arranging and production.
Stereo line-in guitar capture for low-latency monitoring, USB microphone input, speaker and USB-headphone monitoring, with the GE150 handling guitar processing without requiring USB audio monitoring.
A combined writing, tracking, mixing and playback room: REAPER workstation, guitar processing, stereo line-in workflow, USB mic, speaker monitoring, USB headphones, rack EQ and signal hardware, plus multi-speaker and subwoofer systems for playback and reference listening.
THE LEGACY • FROM THE VAULT
Radio, records, bands, video and a lot of miles came before today. Here's some of it — preserved because it belongs to the story, not because I'm living in the past.

A surviving July 2005 archive screenshot shows “My Bio” at #1 in ACIDplanet’s Other video chart. A second preserved screenshot shows it at #3 across all genres.

The second surviving ACIDplanet screenshot preserves “My Bio” at #3 in the all-genres video ranking.
BOOKING • LESSONS • STUDIO • TOURING • SESSIONS • COLLABORATION
I'm available for touring, studio, live and collaborative work, guitar lessons, and studio bookings. Guitar lessons are $45 per half hour. Studio time is $100 per hour without an engineer, or $150 per hour with an engineer. Touring, live, session and project rates are available on request. Tell me what you're building.
Prefer email? [email protected]